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| October |
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Although I have never meet autumn (since Im living in south east
asia), I feel like I really misses this season.
On Reverie, I as if seeing Kei walking in the woods, and all the trees
around him were in autumn leaves, falling slowly and peacefully.
I wonder if I was following him. With distance about 3 to 4 metres
apart, I walked on, following his path in a slow pace. At one point he
stopped, looking above him, possibly at the sky, or at the motion of
the falling leaves, and as if in his own way, smiled.
As I looked at him, I saw how beautiful the image of a beloved person
could be. The leaves that fell on his brown hair, on his shoulders,
emerging the peaceful feelings in me.
I wonder if he notices me? One or two of my images showed that he
turned and smiled, but I think this was just my brain playing tricks.
I have basically grown up hearing to Ludovico Einaudi. At one point I
feel that I understand what he tried to express in his songs, but I'm
never sure of it. Reverie on the other hand, as if becoming the door
into 'the other world', the world of reverie, I felt that I don't want
to leave this place. At one point. If I can. I know that Einaudi also
hoped for the same.
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| 10月2日（木）05:19 | トラックバック(0) | コメント(0) | Leisure/Travel | 管理
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| Blue sky and white moon. |
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Souten Hakugetsu. With kanji also read as 'blue sky and white moon'.
From his song Scape~with transparent wings~, I know that he as if
trying to be reborn with a totally fresh elite looks rather than the
previous aristocratic goth during the Malice Mizer era. Although I do
not hear to Pride of Mind, but the digital effect has been inserted
into his genre for solo debut. (or so I would say, since I'm still new
in this area)
From my point of view, through my face reading novice ability, Klaha
is a total goth. You just can see it in his face. His grief lines were
as if he had gone through many mental hardship, yet making him very
much good-looking. I really like handsome goth. Same goes to Gisho.
But he's a goth on a different level.
Everyone who knows him would agree that Klaha has a unique voice. For
me, his voice complements his sad songs. For simplest example, if you
hear to Stay in the Rain you could actually imagine how sad he is,
waiting in the rain. But nuff said with the burning piano.
He wrote clear lyrics, for even that I do not collectively understand
what it was about, but I could understand the words he used, (most of
it probably, so I basically got the idea of the full image of the
song). My first impression of Klaha was that I really thought of him
as an elite. Possibly because of his gothic background.
Souten Hakugetsu, this Haruna Masaki was another of those whom I know
who seek the acquintance of the moon. I really like hearing to Gekkou.
As if I could feel the zetsubou level of it especially when looking at
the moon. There's so many songs entitled gekkou, at one point I wonder
what it meant even that I know its kanji consist of 'tsuki' and
'hikari' and it meant just that. Moonlight. heh.
Nevertheless, wherever Klaha is now,(considering he suddenly disappear
few years ago) I hope that he's doing just fine. (less be said to
those who said he was not in good health condition before he went
missing. I don't want sad things like Jasmine You to happen again
athough its inevitable. Atleast give us some clue, Klaha!)
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| 9月26日（金）03:18 | トラックバック(0) | コメント(0) | Leisure/Travel | 管理
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| Carcass |
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All those time I've spent in order to understand this song, yet up to
no avail. I do not know whether he had written more during his days in
brodiaea, but I do know that he had written Nostalgia and Carcass.
(p/s from the title, no, its not about me encountering carcasses of
tapir in my adventures, although I will eventually make that up, but
not now.)
Nostalgia, a very much day dreaming pattern has been inserted to it,
to which I believe was Kei's nature. From what I understand, Nostalgia
was about fragments of his memories that he as if encounters again,
perhaps in his dream, but he could not remember no matter how hard he
tried to recall. Although, one or two of my false interpretations has
led me to believe that he have the ability to astral project, but lets
just keep that at the bay. Overall, it shows that he's a total
naturalist. Released under 'Nise-fake-', I think this was when the
band only have Kei as the guitarist so he basically took over all
sides of the guitar part.
Carcass on the other hand, I just couldn't understand what he's trying
to tell through this song and with Rayka's unique voice(which I do
like, sounds like younger Kiyoharu) going on. Rustic song with total
'korose!!' impressions. Funny, yet interesting. I understand that a
song is a total nonsense if you couldn't understand it. But still, it
showed a part of Kei that I don't usually see. I could hear his sabi
and him taking part as leading guitarist,(released under single
Carcass, during when Lin had joined the band). Different tune, rather
from the latter band as he was the second guitarist, you could hear
not so much from him (atleast they gave him a chance to take over the
classical part!).
I think a complete daydreamer(totally separated from reality) should
put their creative ability only on musical compositions, such as
Ludovico Einaudi and his contemporary ambient creations. Musicians
like Tuomas Holopainen is someone who could create a special kind of
music where he combined dreams and reality, producing a kind of songs
that makes you appreciate your childhood more.
Nevertheless, when he said that he is retiring from the musical
industry, I hope that he never actually stop completely from playing
his instrument. Especially his violin...
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| 9月24日（水）21:09 | トラックバック(0) | コメント(0) | Leisure/Travel | 管理
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